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See also:  Beep Speaker Is the Chromecast of Music. Mogees works by employing a small, specialized sensor called a “piezo-transducer” that converts a vibration produced by tapping any physical object into an electric signal. That signal is then sent to a mobile device running the Mogees app (available for both iOS and Android) which turns the signal into music. Users can select different options that will determine how a particular object sounds once the vibrations are converted. They can also switch between free mode — where the user can change scales and keys and improvise pieces of music — and song mode, which lets the user tap along with their favorite songs.

There was another montage, this one of tongue-tied dancers who couldn’t finish a sentence but who set the stage on fire — and all got tickets, Krumper James “Banks” Davis, 24, was shot twice in the knee four years ago and almost lost the leg, but a pulse was found, the leg was saved and he went on to dance, Billy told him that he was a storyteller, and Mary called his “slow krump,” beautiful, but it was on to choreography for Banks and he didn’t make it through to the next round, He wasn’t alone — 27 dancers were on stage for choreography but only 11 got tickets to the next round, Once more, I’m struck by how many dancers must be sterling silver ballet shoes earrings turned down, but the emphasis is on the positive and mostly those who are on their way..

While Kylian’s ideas about music, color and choreographic form never read clearly, the company members nevertheless attacked the movement as though the most profound transmissions were taking place. This included exquisitely crafted boxing steps of bobbing, weaving, leaning and undulating, and women posed in rigid second position in front of their male partners like insect goddesses. Crystal Pite’s local premiere of “Ten Duets on a Theme of Rescue” was the whole package — a beautiful and coherent vehicle for Cedar Lake dancers, both as instruments of Pite’s vision and as artists. Devised as portraits of 10 different relationships that overlap and pull from each other, each vignette was defined by struggle and assistance. As the movement spiraled, pulled, tussled and pushed through space, the dancers remained lushly human and met the organically flowing vocabulary without pretense.

Actors Ensemble of Berkeley: “King Lear,” through Sept, 7; John Hinkel Park, Berkeley; free; www.aeofberkeley.org, sterling silver ballet shoes earrings Aurora Theatre Company: “Mud Blue Sky,” Marisa Wegrzyn’s slice-of-life dramedy about a middle-aged flight attendant, Aug, 28-Sept, 27; Aurora Theatre, Berkeley; “The Submarine Show,” physical comedy by Slater Penny and Jaron Hollander, Oct, 14-25; Harry’s Upstage at Aurora Theatre; “The Monster-Builder,” Amy Freed’s dramedy about a powerful architect with nefarious practices, Nov, 6-Dec, 6; Aurora Theatre, Berkeley; $36-$60; 510-843-4822, https://auroratheatre.org..

“Olive Kitteridge.” By Elizabeth Strout. Word for Word Performing Arts Company. Presented by Stanford Lively Arts. 2:30 p.m. Jan. 9. Dinkelspiel Auditorium, Stanford University. $10-$42. 650-725-2787 or http://livelyarts.stanford.edu. “No Good Deed.” By Paul Braverman. World premiere, presented by Pear Avenue Theatre. Gin-soaked but not quite washed up, Detective Frankie Payne fights demons both inside and out to find redemption and solve a mystery. Preview, 8 p.m. Jan. 13. Opens Jan. 14. Through Jan. 30. 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays. Pear Avenue Theatre, 1220 Pear Ave., Mountain View. $15-$30. 650-254-1148 or www.thepear.org.