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The speed with which the Center has become a peer of other Hayes Valley cultural heavyweights like the San Francisco Ballet, Opera and Symphony is astonishing. While the fifth season kicks off tonight with parallel four-night runs by two of jazz’s greatest guitarists — Pat Metheny introduces his new all-star quartet in the Miner Auditorium and Julian Lage’s trio plays the intimate Joe Henderson Lab — the Center isn’t even four years old yet. Since opening on January 21, 2013 the organization has fully come into its own, and this season even demonstrates vision in interacting with Bay Area musicians, which has long been a point of contention.

OnStage Theatre Company: “Let Me Hear You Smile,” romantic comedy, through Sept, 5; Campbell Theatre, Martinez; $10-$15; 925-518-3277; http://onstagetheatre.homestead.com, Pacific Coast ballerina digital paper pack, ballet seamless patterns, watercolor ballet shoes, tutu dress, pink roses violet peonies, chick pr Repertory Theatre: “South Pacific,” Nov, 7-22; Firehouse Arts Center, Pleasanton; $18-$39; 925-931-4848, http://pcrtproductions.org, www.firehousearts.org, Rude Mechanicals: The madcap Austin, Texas, theater/performance troupe presents “Stop Hitting Yourself,” described as a “playful meditation on modern decadence and human nature,” presented by Cal Performances, Nov, 19-22; Zellerbach Playhouse, UC Berkeley; $76; 510-642-9988, https://calperformances.org..

The audience, in fact, roared approval as the curtain came down on the evening’s last piece, Yuri Possokhov’s world-premiere work “Swimmer,” an ambitious multimedia dance whose abundant images of water banished thoughts of California’s drought for most of its 41-minute program. With only “Romeo and Juliet” remaining on this season’s calendar, Program 7 was a dependable hodgepodge — a trio of dances that by turns frothed, prowled and swam across the stage in a lineup that made a strange kind of sense by the evening’s end.

Description: The Broadway, film and television star brings her affecting voice and warmth to the Bing ballerina digital paper pack, ballet seamless patterns, watercolor ballet shoes, tutu dress, pink roses violet peonies, chick pr stage for a solo concert, _____________________________________________________________________________, What: Trio Cleonice, When: Sunday, April 17, 2:30 p.m, Program: Haydn: Piano Trio No, 43 in C Major, Hob, XV: 29; Davidovsky: Chacona for Piano Trio; Mendelssohn: Piano Trio No, 2 in, C Minor, op, 66, Where: Bing Concert Hall, 327 Lasuen St., Stanford University, Tickets: $30-$65, Description: Winner of the St, Lawrence String Quartet’s coveted John Lad Prize–named for the late violin-playing Stanford grad with a passion for chamber music–the Boston-based trio was mentored at Stanford by the SLSQ’s annual chamber music seminar..

“The Stanford Workshop is absolutely fantastic. There’s no place like it. The collective knowledge present, with every last faculty member, is immense. In my opinion, there’s no better place to be introduced to jazz and to begin to understand what it’s really about. “What I like best about Stanford is that it allows you to pursue your own idea of what you’re trying to play. Teachers don’t try to impose their ideas of jazz upon you, contrary to my experience at other jazz programs. Stanford has also been great for the connections. I’ve gotten unique opportunities that I wouldn’t have gotten on my own.”.